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Press One Rich Three Poor Lecture aquatique de la pièce de Clio Van de walle Maison des auteurs SACD - 20 janvier à 19h Dream theater “Don’t tin can poetry !” David Lynch's pink room, a balloon dress, a glitter gun, champagne, a survival blanket, traffic cones, a red telephone, the heel needle, a carrot eating contest, Mom, a lap- dance, a flashing light... Somewhere in the vast world, on the stage of a dreamlike and cinematic construction site, Louis Calaferte's characters propel us into the frenetic parade of a strong, excruciatingly funny and profoundly human theater. Pretending a circus performance, the show makes the marginalized, the bosses, the poor, the disabled, children, foreigners, those left behind, those who have everything, those who have nothing, talk and dance. . In a whirlwind articulated in thirty-three flash scenes, where the musical worlds of Kavinsky, Marilyn Manson and David Lynch mingle, the author holds up a magnifying mirror to the public and shows us what is cruelest in the 'Man, but also what is most laughable and most touching.

Show teaser Artistic file Press Interview One Rich Three Poor Text - Louis Calaferte Direction - Clio Van de walle Dream theater “Don’t tin can poetry !” David Lynch's pink room, a balloon dress, a glitter gun, champagne, a survival blanket, traffic cones, a red telephone, the heel needle, a carrot eating contest, Mom, a lap- dance, a flashing light... Somewhere in the vast world, on the stage of a dreamlike and cinematic construction site, Louis Calaferte's characters propel us into the frenetic parade of a strong, excruciatingly funny and profoundly human theater. Pretending a circus performance, the show makes the marginalized, the bosses, the poor, the disabled, children, foreigners, those left behind, those who have everything, those who have nothing, talk and dance. . In a whirlwind articulated in thirty-three flash scenes, where the musical worlds of Kavinsky, Marilyn Manson and David Lynch mingle, the author holds up a magnifying mirror to the public and shows us what is cruelest in the 'Man, but also what is most laughable and most touching. Un Riche Trois pauvres, Ciné 13 théâtre Un Riche Trois Pauvres Ciné 13 Théâtre ( Théâtre Lepic) Crédit photo: François Un Riche Trois pauvres, Ciné 13 théâtre 1/11 Life of the show & internet links January 2015 Belleville Theater - Paris Creation of the show April-May 2018 Th Lepic Theater (Former Ciné 13 Théâtre) 20 performances Press officer Alain Pons pons.presse@gmail.com

Le Point Ephémère, Canal Saint Martin "Free dance" international class Celebrate the body Her dancing body His broken body His ghosted, injured body His body muzzled His forgotten body Her soft body, her battered body Its curved or swollen body His tired body His forgotten body Her body on display Her body denied His crutch body His armchair body His body work tool Her body Instagram Her body in tragedy His slender body His body in full swing Her body too Or his body not enough Dancing and dressing His body freed Sessions 2024-25 all year around From 16 years old and with no age limit Every second Saturday of the month* from October 2024 to June 2025 *except in november: session on the 16th Grand Salle from 11:45 a.m. to 1:15 p.m. Le Point Ephémère 200 Quai de Valmy 75010 Paris 20 euros per session - single rate (we welcome you all year round) Info - registrations lacompagnieindigo@yahoo.fr So, let's dance? In the large room of Point Ephémère located upstairs with a view of the Canal St Martin, you will be welcomed into a caring group without judgment. The speaker will guide you in a very simple and discreet way so that you can make the most of this moment of freedom! After the dance (evolving playlist of approximately 1h10), we will exchange for a short time in a speaking circle, where those who wish can talk about their impressions and sensations experienced during the session. Finally after the sessions, I will suggest that you go for a coffee at the great Roof top at Point Ephémère. Schedule of sessions The sessions are guided in very discreet ways, and you can choose to follow this guidance...or not! The important thing is that you feel totally immersed in your sensations and emotions in an open and safe space. A playlist of evolving rythms, tailor-made for each session, will allow you to let yourself go and express yourself in a caring atmosphere. Each person evolves in their own space at their own pace, without any notion of doing well or achieving results. Jump for joy to Stevie Wonder, sing along with Kae Tempest, or lie back and dream to a native American song - you're totally free! The last 15 minutes will be reserved for a chat where we can share our impressions of the dance. After the session, if you feel like it, we'll have a drink on the roof top of Point Ephémère! Clio Van de Walle Received after my baccalaureate at the International Dance Academy of Paris, I must choose between dancing or theater... Finally, my choice fell towards the Cours Florent and therefore towards the studies of Dramatic Art, notably because of a phrase heard by an austere teacher: Ladies, shush! Dance is a silent art... After 20 years of classical and jazz dance at the Rocquencourt conservatory, after dance classes at the National Conservatory of Paris, I had to stop dancing following a persistent knee problem, which arose during the creation of a show. For ten years, I played on stage, created shows, practiced yoga, led acting courses that mixed body, text and music, but never found that magical feeling of power and freedom that dance provides. My love of dance never left me, but I stifled it. To the point that coming across a classical ballet on Arte was so painful that I had to skip it as quickly as possible, to the point that in my dreams, I constantly do the same movements over and over again: sliding, cat jumping, splits... . I rediscovered the pleasure of dancing and re-inhabiting my body years later by discovering the American technique of 5 rhythms dance in London but especially on the island of Crete with the wonderful Belgian teacher Joke Von Hoye. For a year, I danced every week in a huge wooden studio alongside an upturned boat hull with an immersive view of the Aegean Sea. I then realize to what extent this classical dance teacher was decidedly wrong... Dance is anything but a silent art! Les dates, horaires et p'tits trucs en + Samedi 12 octobre 2024 11h45-13h15 * Samedi 16 novembre 2024 11h45-13h15 Samedi 14 décembre 2024 11h45-13h15 Samedi 11 janvier 2025 11h45-13h15 Samedi 8 février 2025 11h45-13h15 Samedi 8 mars 2025 11h45-13h15 Samedi 12 avril 2025 11h45-13h15 Samedi 10 mai 2025 11h45-13h15 Samedi 14 juin 2025 11h45-13h15 Vous pouvez venir à une seule date, deux, trois... ou toutes les dates! * si possible arriver 15 min en avance le temps d'accéder à la salle, vous changer etc... Je viendrai chercher tout le monde dans le hall au rez de chaussée près du bar avant le début de la séance. Si retard demandez au bar l'accès au Grand Studio à l'étage. Tarif unique 20 euros - Paiement sur place de préférence avec l'appoint en liquide ou par chèque à l'ordre de La Compagnie Indigo Prévoir une tenue confortable, de l'eau ou tisane. On danse pieds nus ou en chaussettes! Le Point Ephémère en images Bienvenu au Point Ephémère! Entrée de folie près du Canal Saint Martin Vue du Studio de danse Bienvenu au Point Ephémère! 1/5

La Compagnie Indigo The Indigo Company /Contact

photo Fabienne Rappeneau Sanga Text and direction - Clio Van de Walle Contemporary theater “I come from a country where women hide. Today I'm getting married to a man I don't know. My name is Sanga, I am nine years old. » Artistic file Video clip Listen to the Other Sanga UN Label Women Collective Finalist 77 TGP companionship Support the show! Sanga sees her destiny change the day her family forcefully marries her. Refusing to submit, the little girl has only one obsession: to hit. Rapping while writing in the ink of her blood the absurdity of the world in which she lives. Rapping as a need to exist and stay alive. Propelling us in turn to the land of the Sun, symbol of a universal, violent and warm Orient, and to the land of Uncle Teddy, an idealized West with its share of disappointments, the play tells us the story of a little girl who arms herself with her songs against rape and submission. A show in which rap and contemporary dance takes us from nightmare to dream. The dream of a world where little girls have full ownership of their soul and their body, and where they are free to lead their life as children. Sanga, le Danseur et le Musicien, Théâtre La flèche Crédit photo Fabienne Rappeneau Sanga petite et Sanga Grande, Théâtre la Flèche Crédit photo Fabienne Rappeneau Résidence Machine du Moulin Rouge Crédit Photo : Nolan Caussin Sanga, le Danseur et le Musicien, Théâtre La flèche Crédit photo Fabienne Rappeneau 1/40 Life of the show & internet links March 2020 House of Associations of the 11th - Paris Public reading. International Rights Day women. May 2020 Generations Equality Festival - UN Women France Labeling of the sound piece “Les Autres Sanga” January 2021 Chelles Theater Finalist of the Collectif 77 Plateaus. Model in front of professionals June 2021 The Moulin Rouge Machine, Paris Musical and choreographic creation residency. September 2021 Gérard Philipe Theater. Companionship Exit from residence in front of professionals Ancre 1

Is our theater in the forest coming soon? La Compagnie Indigo Clio Van de Walle created La Compagnie Indigo at the age of twenty to put on shows, right now, without waiting for the end of her theater studies. First of all, there is an immense passion for the great classic texts, but also for the theater of the absurd. Pieces by Ionesco, Racine, Louis Calaferte, and Ionesco were staged in Paris, at the Avignon festival. Alongside the shows, La Compagnie offers theater classes and workshops for teenagers and adults in Paris, but also in Crete, Athens and London. Adaptations of great classic and contemporary texts are presented each year in eastern Paris. The need to lead workshops in several languages (French, English and Greek) and to establish contacts with international artists from different backgrounds and origins quickly arose. For several years, Compagnie Indigo has turned to contemporary writing based on the texts of Clio Van de Walle, published and performed in France and Canada. (CDN in Angers, Jamais Lu Festival in Montreal, Lyncéus Festival in Brittany, etc.). After living and directing projects on the island of Crete, she decided in 2023 to do everything possible to try to offer more inclusive and supportive projects mixing nature and culture, and tries to place theater in places wild and atypical (shows at the water's edge, participatory reading in disused swimming pools, creation of an inter-generational free dance class open to people with disabilities, writing workshops in churches, etc.). Her dream is to one day build a theater in the forest, the entrance tickets to which would not be payable in money but in trees to plant. In 2025, the troupe of student actors from La Compagnie Indigo will present an adaptation of Molière's Misanthrope in a 6,500 m2 Parisian wasteland. Clio Van de walle metteuse en scène associée What do you want to do when you grow up? - I want to create Worlds. Sitting at the small table at the back near the window, a steaming cup of poetry in hand, she displays her Superheroine panoply. The Imagination Open-Bar and the well-oiled keyboard, she sets the scene for her next show. Acting, directing, writing… above all, dreaming. Eco-feminist in love with the small and big stories of humanity, she creates theater as one hungers and thirsts. By shouting his poetry loudly, standing on the table so that his cup is never empty. A graduate of the Paris National Conservatory, Clio works with Bernard Sobel, Eric Lacascasde, Daniel Mesguish, Thomas Le Douarec... Her plays Sanga, Nuit, ma liberté!, Bien née.e.s, and Au Monde, some of which have been published and performed in France and Canada, explore the themes of feminism, ecology and civic freedom by offering poetic and political universes. The dreamlike and musical, clown-dystopian and quasi-science fictional character of his pieces are joyful vectors for rebelling, dreaming and questioning the World around us. See the artistic journey ancre clio

Au Monde, Lyncéus Festival 2022 Theater Read an excerpt Show page Arrow Theater Collective 77 / Chelles Theater Sanga Text - Clio Van de walle Rap Theater play Writing - 01 - 2020 Sanga sees her destiny change the day her family forcefully marries her. Refusing to submit, the little girl has only one obsession: rapping. Through an initiatory journey, Sanga makes his way and encounters the founding characters of his life. Written like a rap flow that never stops, the piece propels us in turn to the land of the Sun, symbol of a universal, violent and warm Orient, and to the land of Uncle Teddy, an idealized West with its share of disappointments. The theme of the play, the forced marriage of young girls, is very topical. To account for this absurdity,Sanga immerses us in an offbeat and poetic universe, mixing intrinsically to the text of the piece a rap musical libretto and choreographic scores. “Sanga” is a finalist of the Plateaux de Chelles in January 2020, and favorite of Nicolas Lormeau from La Comédie Française. 40 minutes of the play will be staged by Clio Van de Walle in September 2021 as part of the Théâtre Gérard Philippe companionships. Order the part Read an excerpt Théâtre de la Tête Noire Nuit, ma liberté! Text - Clio Van de walle Theater play without borders Editions du Quai The story takes place in the village of Quiwa between April 5, 2020 and June 6, 2020. Quiwa and Madra, twin cities, which were once part of the same strong and united country, have been at war for centuries. A major health crisis led for the first time the governments of the two villages to decree a “Ceasefire.” » Night is twenty years old. She lives in a country where women are not allowed to sing. Taking advantage of the wind of revolt that is blowing in her country during a confinement imposed on the population, she will participate on the Internet in the largest International Singing Competition by pretending to be a man. His dream: to give a live open-air concert in the ruins of the Central University, located on the border between the two enemy cities. This piece tells the story of the first “woman-man” to sing at the risk of her life to save the future of her people… “Night, my freedom!” obtained second place in the writing competition of the Center Dramatique National du Quai d'Angers directed by Thomas Jolly. ancre au monde Lyncéus Festival 2022 The Secret/Polycarpe Prize Picture gallery Bookstore o. of the Roundabout Au Monde Text - Clio Van de Walle Dystopy survivalist Editions Lyncéus It is today, or maybe tomorrow. The government of the small island of Morfia, not listed on the World Map, is launching an encrypted appeal on social networks to all people wishing to settle there to think of a new form of society. Then begins the tragic and clownish adventure of the human being in the heart of a survivalist dystopian closed door, 100% eco-friendly! This piece, with its dystopian and dreamlike closed-door scent, plunges us into the heart of a trash-poetic and immersive cabaret. In the world is published by Éditions du Lyncéus and created in Binic-Etables sur mer, in a production by Sébastien Depommier for the Lyncéus festival 2022. The play is co-winner of the support grant for the Immersive Theater le secret/Fondation Polycarpe. ancre au monde @Kevin Le Brun Bookstore o. of the Roundabout Read an excerpt Lyncéus Festival 2022 The Secret/Polycarpe Prize Picture gallery Au Monde Text - Clio Van de Walle Dystopy survivalist Editions Lyncéus It is today, or maybe tomorrow. The government of the small island of Morfia, not listed on the World Map, is launching an encrypted appeal on social networks to all people wishing to settle there to think of a new form of society. Then begins the tragic and clownish adventure of the human being in the heart of a survivalist dystopian closed door, 100% eco-friendly! This piece, with its dystopian and dreamlike closed-door scent, plunges us into the heart of a trash-poetic and immersive cabaret. In the world is published by Éditions du Lyncéus and created in Binic-Etables sur mer, in a production by Sébastien Depommier for the Lyncéus festival 2022. The play is co-winner of the support grant for the Immersive Theater le secret/Fondation Polycarpe. ancre au monde Read an excerpt Participatory reading 2025 Au Monde Text - Clio Van de Walle Dystopy survivalist Editions Lyncéus It is today, or maybe tomorrow. The government of the small island of Morfia, not listed on the World Map, is launching an encrypted appeal on social networks to all people wishing to settle there to think of a new form of society. Then begins the tragic and clownish adventure of the human being in the heart of a survivalist dystopian closed door, 100% eco-friendly! This piece, with its dystopian and dreamlike closed-door scent, plunges us into the heart of a trash-poetic and immersive cabaret. In the world is published by Éditions du Lyncéus and created in Binic-Etables sur mer, in a production by Sébastien Depommier for the Lyncéus festival 2022. The play is co-winner of the support grant for the Immersive Theater le secret/Fondation Polycarpe.

Swim to us!

Collage by Alice Diaz for the poem Jeux d'O Short texts Read the text Olympic Games Text - Clio Van de Walle Collage creation - Alice Diaz Poem against the tide Blog Faire signe - January 2024 The 2024 Olympics will be green or not... D-90 Seeing the world die live is priceless So hold on, it’s an overdose at the ticket office To attend you have to sell a kidney Deluxe rate with large bath atmosphere I'm outraged but that's the problem I have a place in the middle of Paris Even if I don't condone all of this I'm going to make a fortune on B'n b 2000 a night cannot be refused! Read the text Universe of Alice Diaz Olympic Games Text - Clio Van de Walle Collage creation - Alice Diaz Poem against the tide Blog Faire signe - January 2024 The 2024 Olympics will be green or not... D-90 Seeing the world die live is priceless So hold on, it’s an overdose at the ticket office To attend you have to sell a kidney Deluxe rate with large bath atmosphere I'm outraged but that's the problem I have a place in the middle of Paris Even if I don't condone all of this I'm going to make a fortune on B'n b 2000 a night cannot be refused! Olympic Games Text - Clio Van de Walle Collage creation - Alice Diaz Poem against the tide Blog Faire signe - January 2024 Read the text The 2024 Olympics will be green or not... D-90 Seeing the world die live is priceless So hold on, it’s an overdose at the ticket office To attend you have to sell a kidney Deluxe rate with large bath atmosphere I'm outraged but that's the problem I have a place in the middle of Paris Even if I don't condone all of this I'm going to make a fortune on B'n b 2000 a night cannot be refused! Read the text Kiddo Universe Les Lionnes Text - Clio Van de walle Drawing - Kiddo Porno- fiction > 16 years old? Publication Castor magazine - September 2022 Xena. A lioness with a bloody mouth, do you find that exciting? Kevin Kostner? He is over sixty years old! what is he doing there? Do you really think you're going to make guys horny with Kevin Kostner? Sidonix. I want to show what is in a woman's head when she is looking for her orgasm. Xena. But no one really cares. No one is interested in being in a woman’s head! You still don’t believe that I’m going to produce that! Read the text Un hic qui choque Text & drawing - Clio Van de walle Humor post on inclusive language Publication - Revue des Citoyens des lettres. (Switzerland) 11- 2020 Winning poem - Revue le Pan des Muses “The masculine prevails over the feminine.” I, a woman of the 21st century, how can I confront the members of my daughter's next class council, and make them understand that I refuse to allow my offspring to learn this outdated and absurd rule? While waiting to be confronted with the problem, I am launching this mood post to invite those who wish to question these grammatical-ancestral rules and to reappropriate their own language. “A Hic that shocks” is elected news of the month in the Literary review of Citizens of Letters. Read the text Universe of Mélody said Taille 35-41 Text - Clio Van de walle Illustration - Melody said Theatrical nowel Publication - Castor Magazine. March 2021 “Size 35 - 41” is the rant of Cinderella, the new non-binary muse of ® bags.Louis Croutton , who decides to take legal action against Charles Perrault's beneficiaries. This short text theatrically stages a total rethinking of the models of our childhood. When the princesses of the 21st century take the matter to court and demand a new writing of their tale, we revisit with humor and with anger the way in which we will tell their stories tomorrow. Read the text Universe of Nolan Caussin Niko - L a naissance du cygne Text - Clio Van de walle Photography - Nolan Caussin Frictional testimony Publication - Castor Magazine. June 2021 It's me, Niko. Whose first name is written in letters fire on the stage of a training that screams my name. Since my earliest childhood, I have had an inclusive and penetrating dream. The dream of a world where the grown-ups, the adults, the people in charge, do not lock up the bodies and names of children in the boxes of a prehistoric administration. Little girl in a boy's body, I put on my most beautiful pointe shoes, and set off to meet the person I have always been. “Niko – The birth of the swan” is published by Castor magazine in June 2021 in the LGBTQIAP+ poetry section. September 2021 issue The DécadréE team Dicks- Ovary Concept & text - Clio Van de walle Illustration - Delphine Luboz Imaginary section Monthly publication since August 2021 - DécadréE. Swiss Vocabulary, did you say vocabulary? Why do we choose to use one word and not another? Who decides that this or that word exists or does not exist? And above all, who decides the meaning of words? Immerse yourself in a completely crazy dictionary, an erotic and political dictionary that would allow words to change meaning as they change costumes! By having fun with the French language, I propose to imagine a world in whichLady of a Thousand Suction Cups is the latest fashionable sex position, and theLove pain is the most delicious of diseases... Open letter to Culture Text - Clio Van de walle Poetic tribune Mediapart blog publication. February 2022. I hear some people say that the worst has been avoided since the theaters do not close, and that we artists can continue to play? But what are we playing? And for whom? Before that day, we were talking about the fourth wall at the Theater. From today, we declare the national fifth wall project open. Refugees under this glass ceiling which prevents free spirits from sailing towards the stars, we hope that it protects us from all evils, this invisible wall. Is this what it means to be free? Is this what it means to be an artist? Read the text Ancre 3

Au Monde, Lyncéus Festival 2022 Clio Van de walle Author What do you want to do when you grow up? - I want to create Worlds. Sitting at the small table in the back near the window, a steaming cup of poetry in hand, I deploy my Super Heroine panoply. The Open-Bar Imagination and the well-oiled keyboard, I'm setting the scene for my next show. Acting, directing, writing… above all, dreaming. Make the music of the heart prevail, against all odds. Ecolo - feminist in love with the small and big stories of humanity, I make theater as one hungers and as one thirsts. By shouting my poetry loudly, standing on the table, so that my cup is never empty. Ancre 1 Theater Short texts

Poetry Since March 2024, Clio Van de Walle has been creating La Poélitik, the newsletter that empowers life to the rhythm of the seasons in a society that is not always easy to follow. A two-page journey to try to move reality and reclaim time. At the start of each season, our traveling octopus offers you a scented envelope with an illustrated poem, an imaginary dictionary, a sound bubble and finally carte blanche to an international artist. Without forgetting our quarterly call for texts to put your dreams into action! And always at the end of reading an invitation to the unusual events of the Indigo Company, writing workshops in the forest, shows in the city or at the sea, multilingual theater courses and other evolutionary hybrid madness. Poelitik #1 Poelitik #2 Poélitik #automne2024 Receive Poetry

Adults acting classes Hearing the audience settle into the room Wondering what we're doing here Wanting to return home See the lights go out Feeling your heart burst in your chest Wondering what we're doing here Wanting to leave I would be so much better in front of my TV Forget your text Put it back in your mouth Readjust your costume Once And ten Inhale very hard So as not to run out of air when the time comes Wait for the cue to finish The one next to mine Breathe in one last time And Taking the first step on stage Melt under the heat of the spotlight Know what we're doing there Feel at home From the first step Make your whole being vibrate in the service of the text Put yourself in the shoes of your character Feeling alive Feel it in your body and in your voice That we are never as much ourselves That when we play in the theater Marathon lecture sur le thème de la censure Samedi 30 novembre 2024 Maison des associations du 11ème CENSURE, nom féminin qui brûle la langue, anime le cœur, enserre le corps et réveille l'esprit de celui ou celle qui le porte. Inadapté à la réduction de son propre sens dans un dictionnaire, la censure est un monstre sublime et abyssal vieux comme le monde, un mot-monde qui nous dépasse et prend tous les risques, même de celui de faire imploser l'art et la troupe qui s'y attaque! La Compagnie Indigo propose un marathon lecture sur le thème de la Censure mis en scène par Clio Van de walle avec la troupe amateure de La Compagnie Indigo et des invité.e.s suprise. G rands classiques de la littérature, pièces de théâtre, articles de presse, discours politiques, témoignages de magazine, chansons, post instagrams, tout y passe! Samedi 30 novembre 2024 de 11h à 13h Maison des associations du 11ème 8 rue du général Renault 75011 Paris Entrée libre Réservations obligatoires: lacompagnieindigo@yahoo.fr Registrations 2023 - 2024 Discover the project Every Monday from 6 p.m. to 8 p.m. except during school holidays; Trial lesson the 1st lesson of the year Monday October 9, 2024 The Song Factory 124 avenue de la République, 75011 Paris. (metro) Father Lachaise) 550 euros per year (possibility of paying in two installments) Show in June 2024 in a Parisian theater. Info - registrations Clio Van de Walle lacompagnieindigo@yahoo.fr For the little story... Created in 2012, the troupe theater of student actors of the Indigo Company, offers each year of shows in theaters Parisians. Rehearsals take place every Wednesday in the 11th arrondissement. The idea is to work with amateur troupe members in the same way as with professional actors and actresses, obviously adapting to each personality, but with the same rigor and the same creative madness. than when preparing a professional show! Each participant is required to take responsibility for their role, their costumes, their texts, their responsibilities in the troupe. We started in 2012 with the show "Cyrano(s)", the youngest were eight years old and they declaimed the tirade with their noses...We closed the "child" course in 2020 with "Les glaciers Grondants" contemporary ecological fable by David Lescot. Since 2021, Compagnie Indigo has opened its first adult class! Course schedule The course are designed as a journey, where everyone is invited to listen, to invent, to propose according to their sensitivity and uniqueness. The goal of this course is for you to have fun and surprise yourself, to seek out emotions deep within you, without ever forcing anything. We will invite you to explore your voices, your bodies, to "get out" of yourself to (re)discover yourself in the face of the others or in front of yourself. With the greatest kindness, and with a concern for inclusiveness in the language and scenes chosen, you will learn to no longer judge or censor yourself, but just to try... to see! On the program: musical exercises, diction work, bodily expression, collective listening work, sensory memories, theater in the dark, dramaturgy, discovery of Le Monde authors, readings and interpretations of major scenes from the classical and contemporary repertoire. Management of stage fright, "artistic speech" circles...We can also, for those who wish, organize theatrical writing sessions or work on certain scenes in foreign languages. The course is open to everyone, regardless of your age or theater experience! Speakers Clio Van de Walle The troop amateur is directed by Clio Van de walle since 2012. Actress, director and author graduated from the National Conservatory Superior of Dramatic Art in Paris, Clio regularly leads drama courses for professionals and amateurs in Paris, London and Athens. She was a teacher of stage expression at school singing Crescendo Art and joined the teaching team of the 3IS International School in October 2021.More info here. Grégoire Baujat A graduate of the Conservatoire National Supérieur d'Art Dramatique de Paris, Grégoire Baujat studied drama in the classes of Dominique Valadié, Daniel Mesguich, Iouri Pogrebnitchko, Christophe Honoré, Xavier Beauvois, and Eric Lacascade. In the theater, he extends his collaboration with Eric Lacascade onSummer residents . He plays the role of Mercutio in theRomeo and Juliet by Magali Léris, a role for which he won the Prix du Souffleur. He also plays for Olivier Dhénin, Pauline Beaulieu, Sébastien Chassagne, Justine Heynemann, Romain Duquesne and Vincent Menjou-Cortès. He interpretsArsène Lupin at the Lucernaire in a production by Delphine Piard and joined the ranks of the Collectif du Théâtre de Lorient with the show by Rodolphe Dana,Price . In the cinema, he collaborates with Mathias Gokalp for Rien de personnel, with Josiane Balasko inHalf-Sister , with Lotfi Bouchouchi inWell . He plays the main role in Christian Boisliveau's film,Léa's Film and recently, he appeared in Matthew Weiner's series The Romanoffs as well as inParis Police 1900 Season 1 and 2 by Julien Despaux. Past shows Sunday June 16, 2024 Necrosia A creation by Grégoire Baujat With student actors from the Compagnie Indigo troupe 2254. Taking refuge beneath the surface of the earth to escape the climatic catastrophe, a community of powerful people sees its destiny darken: Necrosia, a bacteria from the subsoil, renders its population sterile. When Professor Valéry arrives with an antidote, do the members of the City Below have any other options than to believe him? show recommended from 12 years old Belleville Theater 16 passage Piver 75011 Paris Single price 15 euros Reservation required lacompagnieindigo@yahoo.fr Les grandes personnes, juin 2023 Une création de Clio Van de walle Avec les élèves comédien.ne.s de la troupe de la Compagnie Indigo Monde, 42 degrés. Netflix a remplacé le Ciel, Bête FM nuit en continu, heureusement Carglass continue de réparer et de remplacer… Alors que la totalité de la population mondiale a été évacuée dans le Cloud par les gouvernements et les ONG, neuf étudiant.e.s séquestrent leur prof de biologie dans leur salle de cours et organisent le blocus le plus courageux complotiste de tous les temps. Agé.e.s de 18 à 23 ans, ces écolos-bobos-terroristes militent pour rester en Présentiel sur la Planète Terre. Théâtre de Belleville 16 passage Piver 75011 Paris Tarif unique 15 euros Réservation obligatoire lacompagnieindigo@yahoo.fr